Bruno is composed in soft sepia tones that evoke the warmth of aged paper or early photographic prints. The image balances angular cuts and sweeping curves, integrating geometry and gesture into a unified field. The letter B appears only in trace form, its structure obscured but still faintly implied. With color largely removed, the focus shifts to shape, movement, and texture—suggesting a surface rendered not just photographically, but with hints of ink or charcoal. The result feels almost like a mixed media composition, quiet in palette but active in form.